{"title":"Drama","description":null,"products":[{"product_id":"narcissus-or-the-lover-of-himself","title":"Narcissus, or The Lover of Himself","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eNarcissus, or The Lover of Himself\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eJean-Jacques Rousseau\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9781940625133\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eContra Mundum Press\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e2015\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003ePaperback\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eNew from the publisher\n\u003cbr\u003e\u003cb\u003ePublisher Description: \u003c\/b\u003eNarcissus, or The Lover of Himself is a play of staggering mediocrity. Jean-Jacques Rousseau, better known as a social thinker than as a playwright, claims to have written it as a young man of eighteen, some twenty years before it was performed for King Louis XV on December 18, 1752. It flopped and never saw the stage again in Rousseau's lifetime. In his preface to the play, penned after its failed production, Rousseau avows that he kept himself from publishing it for as long as he held onto some regard for his reputation as an author. This is a fairly measured judgment, for a work the caliber of Narcissus would certainly not bolster Rousseau's status. The plot, characters, language, and comedic elements come off as weak or incomplete. Hence, the reader (or spectator) could understandably question the play's merits, and the need to publish it. But had Narcissus never been, neither would its preface. This afterthought, two decades in the making, becomes, in many ways, a much more interesting opening act to the comedy that follows. It is rich in philosophy and criticism, madly buzzing with paranoia, and surprisingly convincing in its proposition that the arts and sciences, the pursuit of knowledge, the cultivation of letters, and all the trappings of civilization are destructive forces, harmful to man's morality. It is an apology for having experimented with writing literature in his foolish youth and, at the same time, a justification for the existence of his art. The preface, in which he writes, \"I must, despite my reluctance, speak of myself,\" is fully narcissistic. Peering over Rousseau's shoulder, we, too, see his reflection: a man with reason on his side, standing against his enemies, his age, and, indeed, the world. Daniel Boden's translation of Narcissus and its preface is true to the voice, times, and incongruities of Rousseau. In the afterword that crowns this edition, Simon Critchley situates the play and preface in their historical context, makes connections to other works by Rousseau, comments on the philosophy put forward in the preface, reflects on what brings the classics to the stage, and proposes, quite simply, that theater is narcissism.\u003c\/body\u003e","brand":"Contra Mundum Press","offers":[{"title":"Narcissus, or The Lover of Himself | Jean-Jacques Rousseau | Paperback | 9781940625133 | New | Drama 1281993","offer_id":50550564159746,"sku":"1281993","price":31.05,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3327\/5906\/files\/51-UhC3Uv3L.jpg?v=1790469274"},{"product_id":"theater-symptoms-plays-and-writings-on-drama","title":"Theater Symptoms: Plays and Writings on Drama","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eTheater Symptoms: Plays and Writings on Drama\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eRobert Musil\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9781940625416\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eContra Mundum Press\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e2020\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003ePaperback\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eIllustrated\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eNew from the publisher\n\u003cbr\u003e\u003cb\u003ePublisher Description: \u003c\/b\u003e\u003cp\u003eAlthough known principally for his modernist masterpiece, \u003cem\u003eThe Man Without Qualities\u003c\/em\u003e, Robert Musil (1880-1942) was also a playwright and drama critic. Musil's plays and theatrical investigations, written between 1921-1929, are inseparable form his later literary work and from his life-long commitment to art as a social and cultural activity. His brilliant plays and critical writings are not minor aspects of his artistic life, bu essential works, preparing the way for and intrinsically connected to his great, unfinished novel. \u003c\/p\u003e\n\u003cp\u003eIn the theater of the fraught period between the two world wars, Musil recognized a crisis that was symptomatic of larger social, political, and aesthetic problems. In seeing Art as a social and cultural stimulus, he leveled piercing critiques at the commodification and conformism of the Culture Industry of his time and pointed the way toward a living, transformative theater.\u003c\/p\u003e\n\u003cp\u003eAs an observer and researcher of the psychology of aesthetic experience, a student of anthropology and mysticism, and a writer who sometimes practiced the art of literature like an essayist and scientific experimenter, Musil saw in theater the ideal testing ground for questions about perception, reality, and the effects of ritual practices like formal variation, repetition, and the suspension of normal consciousness. In contrast to the mostly shallow entertainment on offer, Musil saw the potential of theater -- and all of art -- as a force that could incite existential shattering of received ideas and a renewal of \"motivated\" existence. \u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eTheater Symptoms\u003c\/em\u003e constitutes not only the first volume in English of Musil's finished plays and a selection of play fragments with a large body of previously untranslated critical, including manifestoes of his utopian theatrical vision. His theoretical essays and reviews elucidate the symptoms of and possible cures for the dangerous decline, not only of theater or art, but also, in Musil's view, of social relations: a descent from an ethico-aesthetic and \"motivated\" conduct of life to that of an uncritical, ethically lazy, aesthetically insensitive, and consumer-driven society. Musil's reviews of Stanislavski's Moscow Troupe, cabaret performances of Yvette Guilbert, the Yiddish theater, Expressionist stage innovations, productions of Shakespeare, Shaw, Schnitzler, Chekhov, and others, reveal Musil as a perceptive and visionary analyst of what theater was and what it could be.\u003c\/p\u003e\n\u003cp\u003eThis is the third volume of Musil's writings translated and introduced by Genese Grill and published by Contra Mundum Press.\u003c\/p\u003e\n\u003c\/body\u003e","brand":"Contra Mundum Press","offers":[{"title":"Theater Symptoms: Plays and Writings on Drama | Robert Musil | Paperback | 9781940625416 | New | Drama 1282012","offer_id":50550567239938,"sku":"1282012","price":36.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3327\/5906\/files\/71pDo-cPllL.jpg?v=1790469281"},{"product_id":"long-days-journey-into-night","title":"Long Day's Journey Into Night","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eLong Day's Journey Into Night\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eEugene O'Neill\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780300093056\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eYale University Press\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e2002\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003ePaperback\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003e2nd\n\u003cbr\u003e\u003cb\u003eNumber of Pages: \u003c\/b\u003e192\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003e Clean, unmarked copy with some edge wear. 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The helplessness of family love to sustain, let alone heal, the wounds of marriage, of parenthood, and of sonship, have never been so remorselessly and so pathetically portrayed, and with a force of gesture too painful ever to be forgotten by any of us.\"\u003c\/body\u003e","brand":"Yale University Press","offers":[{"title":"Long Day's Journey Into Night | Eugene O'Neill | Paperback | 9780300093056 | Used: Very Good | Drama 1395409","offer_id":50559536267522,"sku":"1395409","price":16.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3327\/5906\/files\/51aVNQun3mL.jpg?v=1790683788"},{"product_id":"long-days-journey-into-night-1","title":"Long Days Journey into Night","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eLong Days Journey into Night\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eEugene O'Neill\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e0300001762\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eYale Univ Pr\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e1956\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003ePaperback\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eAbridged\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003e Clean, unmarked copy with some edge wear. 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The extraordinary wit of the master dramatist of the twentieth century has not lost its sharp edge as it cuts away at the artificially of class distinctions and the callousness of indifference to human worth.\u003c\/body\u003e","brand":"Simon \u0026 Schuster","offers":[{"title":"Pygmalion | George Bernard Shaw | Mass market paperback | 9780671704964 | Used: Very Good | Drama 1593005","offer_id":50647215767810,"sku":"1593005","price":18.98,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3327\/5906\/files\/61IUgOzIIyL.jpg?v=1791267131"},{"product_id":"twilight-los-angeles-1992","title":"Twilight: Los Angeles, 1992","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eTwilight: Los Angeles, 1992\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eAnna Deavere Smith\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780385473767\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eAnchor\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e1994\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003ePaperback\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003e1\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eExcellent, unmarked copy with little wear and tight binding. 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We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.\n\u003cbr\u003e\u003cb\u003ePublisher Description: \u003c\/b\u003e\"How many plays make us long for grace? \u003cem\u003eWater by the Spoonful\u003c\/em\u003e by Quiara Hudes is such a rare play; it is a yearning, funny, deeply sad and deeply lyrical piece, a worthy companion to Hudes's \u003cem\u003eElliot, A Soldier's Fugue\u003c\/em\u003e. The play infects us with the urge to find connection within our families and communities and remains with us long after we've left the theater.\" -Paula Vogel, Pulitzer Prize-winning author of \u003cem\u003eHow I Learned to Drive\u003c\/em\u003e  \"Hudes's writing is controlled and graceful. Each of the play's 15 short scenes is perfectly balanced, the language both lyrical and lucid.\" -Richard Zoglin, \u003cem\u003eTime\u003c\/em\u003e  \"For a drama peopled by characters who have traveled a long way in the dark, \u003cem\u003eWater by the Spoonful\u003c\/em\u003e gives off a shimmering, sustaining warmth. Ms. Hudes writes with such empathy and vibrant humor about people helping one another to face down their demons that regeneration and renewal always seem to be just around the corner.\" -Charles Isherwood, \u003cem\u003eNew York Times\u003c\/em\u003e  \u003cstrong\u003eWinner of the 2012 Pulitzer Prize for Drama\u003c\/strong\u003e, \u003cem\u003eWater by the Spoonful\u003c\/em\u003e is \"a rich, brilliant montage of American urban life that is as dazzling to watch as it is difficult to look away from\" (\u003cem\u003eAssociated Press\u003c\/em\u003e).  Somewhere in Philadelphia, Elliot has returned from Iraq and is struggling to find his place in the world. 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Hudes's cycle of three plays began with \u003cem\u003eElliot, A Soldier's Fugue\u003c\/em\u003e (Pulitzer Prize finalist) and concludes with \u003cem\u003eThe Happiest Song Plays Last\u003c\/em\u003e.\u003c\/body\u003e","brand":"Theatre Communications Group","offers":[{"title":"Water by the Spoonful (Revised Tcg Edition) | Quiara Alegría Hudes | Paperback | 9781559365574 | Used: Like New | Drama 1602265","offer_id":50672073048322,"sku":"1602265","price":21.04,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3327\/5906\/files\/71OFualY3BL.jpg?v=1791331609"},{"product_id":"endgame-and-act-without-words","title":"Endgame and ACT Without Words","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eEndgame and ACT Without Words\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eSamuel Beckett\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780802150240\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eGrove Press\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e1994\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003ePaperback\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003eLater Printing Used\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003eClean, unmarked copy with some edge wear. 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