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LGBTQIA Studies. COLOR THEORY brings together womxn and gender non-conforming working artists of color from four generations to explore the intersections of race, gender, class and labor in and around art institutions. Edited by Maya Gomez and Vreni Michelini Castillo, these reflections, stories, and remedies (through essay, image, and poetry) engage a multidisciplinary and intergenerational dialogue around ethical aesthetics, systemic oppression, and the ritual landscape. More than a simple indictment (though indict it, unabashedly, does), COLOR THEORY is a must-read collection of communal solidarity, critical resistance and creative healing. 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All of them, and especially Felicia Wong, who can even make her own clothes. \u003cp\u003e\u003c\/p\u003eI have a question about the process by which the entries in this collection are chosen. Is it scientific?\u003cbr\u003eThe process by which The Best American Nonrequired Reading is put together is not scientific. It is whatever one would consider the opposite of scientific. \u003cp\u003e\u003c\/p\u003eCreationist?\u003cbr\u003eWell, no, it's not creationist either. The point is that we are probably a bit less top-to-bottom thorough than, say, the Army Corps of Engineers. Well, actually, scratch that. We are probably about exactly as thorough as the Army Corps of Engineers, in that we are intermittently thorough. \u003cp\u003e\u003c\/p\u003eWhat is your opinion and the committee's opinion of the state of short stories and small magazines and other periodicals?\u003cbr\u003eThis is a good time. It really is. \u003cp\u003e\u003c\/p\u003eMore specifically?\u003cbr\u003eNot all of us Americans appreciate the fact that we have about 150 very good quarterlies in this country. Every state seems to have a very good quarterly, and about a hundred colleges have very good quarterlies -- from the Kenyon Review to the University of Illinois's Ninth Letter. So by our estimate there are about 150 very good quarterlies in this country. Maybe more. Now, the thing we don't always appreciate here in America is that elsewhere in the world there are few to no quarterlies. \u003cp\u003e\u003c\/p\u003eHow does it feel to select something for the collection that you found in an unlikely place?\u003cbr\u003eIt feels so good. This year, for example, at the last moment we found \"Humpies\" by Mattox Roesch. It was published by Agni Online, and we all loved it, and here it is, ideally able to reach a new audience. 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She writes stylishly about Shakespeare and \u003ci\u003eDoctor Zhivago, \u003c\/i\u003eas well as flying carpets, sprezzatura, and the theophagic origins of the Latin liturgy. Her passion for Marianne Moore and T. S. Eliot makes her a modernist, but like these American counterparts she is a modernist preoccupied by the deep past and by her desire to escape from personality through sustained attention to form. 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