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When the Swedish Academy awarded her the Nobel Prize, it cited her for inventing \"a new kind of literary genre,\" describing her work as \"a history of emotions . . . a history of the soul.\" \u003cp\u003e\u003c\/p\u003e Bringing together dozens of voices in her distinctive style, \u003ci\u003eLast Witnesses\u003c\/i\u003e is Alexievich's collection of the memories of those who were children during World War II. They had sometimes been soldiers as well as witnesses, and their generation grew up with the trauma of the war deeply embedded--a trauma that would change the course of the Russian nation. \u003cp\u003e\u003c\/p\u003e Collectively, this symphony of children's stories, filled with the everyday details of life in combat, reveals an altogether unprecedented view of the war. Alexievich gives voice to those whose memories have been lost in the official narratives, uncovering a powerful, hidden history from the personal and private experiences of individuals. \u003cp\u003e\u003c\/p\u003e Translated by the renowned Richard Pevear and Larissa Volokhonsky, \u003ci\u003eLast Witnesses\u003c\/i\u003e is a powerful and poignant account of the central conflict of the twentieth century, a kaleidoscopic portrait of the human side of war. \u003cp\u003e\u003c\/p\u003e\n\u003cb\u003ePraise for \u003ci\u003eLast Witnesses\u003c\/i\u003e\u003c\/b\u003e \u003cp\u003e\u003c\/p\u003e\"There is a special sort of clear-eyed humility to [Alexievich's] reporting.\"\u003cb\u003e--\u003ci\u003eThe Guardian\u003c\/i\u003e\u003cbr\u003e\u003c\/b\u003e \u003cbr\u003e\"A bracing reminder of the enduring power of the written word to testify to pain like no other medium. . . . Children survive, they grow up, and they do not forget. 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Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.\n\u003cbr\u003e\u003cb\u003ePublisher Description: \u003c\/b\u003e\u003cp\u003e\u003cb\u003eA chronicle of the year that changed Soviet Russia--and molded the future path of one of America's pre-eminent diplomatic correspondents\u003c\/b\u003e\u003cbr\u003e1956 was an extraordinary year in modern Russian history. It was called \"the year of the thaw\"--a time when Stalin's dark legacy of dictatorship died in February only to be reborn later that December. This historic arc from rising hope to crushing despair opened with a speech by Nikita Khrushchev, then the unpredictable leader of the Soviet Union. He astounded everyone by denouncing the one figure who, up to that time, had been hailed as a \"genius,\" a wizard of communism--Josef Stalin himself. Now, suddenly, this once unassailable god was being portrayed as a \"madman\" whose idiosyncratic rule had seriously undermined communism and endangered the Soviet state.\u003cbr\u003eThis amazing switch from hero to villain lifted a heavy overcoat of fear from the backs of ordinary Russians. It also quickly led to anti-communist uprisings in Eastern Europe, none more bloody and challenging than the one in Hungary, which Soviet troops crushed at year's end.\u003cbr\u003eMarvin Kalb, then a young diplomatic attaché at the U.S. Embassy in Moscow, observed this tumultuous year that foretold the end of Soviet communism three decades later. 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The diarists range from the ambitious literary bureaucrat who moves forward by denouncing his colleagues to the young unlettered careerist learning the ways of Soviet success; from the wife of a government bureaucrat, who writes in a pure Stalinist prose, to the candid thoughts and uncertainties of a dissident; from a provincial sailor on a distant Arctic vessel to Moscow intellectuals who meet and recount their conversations with Anna Akhmatova. Some of the diarists are wholly oblivious to the terrors of Stalin's purges; others see the failures of the regime as clearly as those writing today.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003eTo set the diaries in context, the book begins with a Chronicle of the Year 1937--an extraordinary montage comprised of excerpts from the daily newspaper \u003cem\u003eIzvestiya\u003c\/em\u003e juxtaposed with corresponding entries from am collective farmer's diary--and also includes a chronology of major events in the Soviet Union during the latter half of the decade. 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Now Solomon Volkov, a Russian emigre and acclaimed cultural historian, has written the definitive cultural biography of this city and its transcendent artistic and spiritual legacy. \u003cp\u003e\u003c\/p\u003eFor Pushkin, Gogol, and Dostoyevsky, Petersburg was a spectral city that symbolized the near-apocalyptic conflicts of imperial Russia. As the monarchy declined, allowing intellectuals and artists to flourish, Petersburg became a center of avant-garde experiment and flamboyant bohemian challenge to the dominating power of the state, first czarist and then communist. The names of the Russian modern masters who found expression in St. Petersburg still resonate powerfully in every field of art: in music, Stravinsky, Prokofiev, and Shostakovich; in literature, Akhmatova, Blok, Mandelstam, Nabokov, and Brodsky; in dance, Diaghilev, Nijinsky, and Balanchine; in theater, Meyerhold; in painting, Chagall and Malevich; and many others, whose works are now part of the permanent fabric of Western civilization. Yet no comprehensive portrait of this thriving distinctive, and highly influential cosmopolitan culture, and the city that inspired it, has previously been attempted.\u003c\/body\u003e","brand":"Free Press","offers":[{"title":"St. Petersburg: A Cultural History | Solomon Volkov | Paperback | 9780684832968 | Used: Very Good | Russian History 1453096","offer_id":50565502173442,"sku":"1453096","price":32.4,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0609\/3327\/5906\/files\/41oZFmQaa1L.jpg?v=1790762825"},{"product_id":"bobby-fischer-goes-to-war-how-the-soviets-lost-the-most-extraordinary-chess-match-of-all-time","title":"Bobby Fischer Goes to War: How the Soviets Lost the Most Extraordinary Chess Match of All Time","description":"\u003cbody\u003e\n\u003cb\u003eTitle: \u003c\/b\u003eBobby Fischer Goes to War: How the Soviets Lost the Most Extraordinary Chess Match of All Time\n\u003cbr\u003e\u003cb\u003eAuthor: \u003c\/b\u003eDavid Edmonds\n\u003cbr\u003e\u003cb\u003eISBN: \u003c\/b\u003e9780060510244\n\u003cbr\u003e\u003cb\u003ePublisher: \u003c\/b\u003eEcco\n\u003cbr\u003e\u003cb\u003ePublished: \u003c\/b\u003e2004\n\u003cbr\u003e\u003cb\u003eBinding: \u003c\/b\u003eHardcover\n\u003cbr\u003e\u003cb\u003eLanguage: \u003c\/b\u003eEnglish\n\u003cbr\u003e\u003cb\u003eEdition: \u003c\/b\u003e1st\n\u003cbr\u003e\u003cb\u003eCondition Note: \u003c\/b\u003e Clean, unmarked copy with some edge wear. 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Writing in the first flush of revolutionary enthusiasm, he gives a gripping account of the events in Petrograd in November 1917, when Lenin and the Bolsheviks finally seized power. Containing verbatim reports both of speeches by leaders and of the chance comments of bystanders, and set against an idealized backdrop of soldiers, sailors, peasants, and the proletariat uniting to throw off oppression, Reed's account is the product of passionate involvement and remains an unsurpassed classic of reporting. \u003cp\u003e\u003c\/p\u003eFor more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. 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