Farrar, Straus and Giroux
Writing in the Dark, Dancing in the New Yorker: An Arlene Croce Reader
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Title: Writing in the Dark, Dancing in the New Yorker: An Arlene Croce Reader
Author: Croce, Arlene
ISBN: 9780374104559
Publisher: Farrar, Straus and Giroux
Published: 2000
Binding: Book
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
Music & Performing Arts 1407562
Publisher Description:
The best of America's best writer on dance
""Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love." "
From 1973 until 1996 Arlene Croce was "The New Yorker's" dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces-over a fourth have never appeared in book form-writings that reverberate with consequence and controversy for the state of the art today.
Author: Croce, Arlene
ISBN: 9780374104559
Publisher: Farrar, Straus and Giroux
Published: 2000
Binding: Book
Language: English
Condition: Used: Very Good
Clean, unmarked copy with some edge wear. Good binding. Dust jacket included if issued with one. We ship in recyclable American-made mailers. 100% money-back guarantee on all orders.
Music & Performing Arts 1407562
Publisher Description:
The best of America's best writer on dance
""Theoretically, I am ready to go to anything-once. If it moves, I'm interested; if it moves to music, I'm in love." "
From 1973 until 1996 Arlene Croce was "The New Yorker's" dance critic, a post created for her. Her entertaining, forthright, passionate reviews and essays have revealed the logic and history of ballet, modern dance, and their postmodern variants to a generation of theatergoers. This volume contains her most significant and provocative pieces-over a fourth have never appeared in book form-writings that reverberate with consequence and controversy for the state of the art today.
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